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Found 1000 results from blogs.ed.ac.uk.
Notes on Sol LeWitt’s “Sentences on Conceptual Art” (1968) – CONTEMPORARY ARTISTIC RESEARCH PROJECT 2022 // CHRIS COATHAM
MoMA.org 2022). The text opens with the assertions that “conceptual artists are mystics rather than rationalists” and that “they leap to conclusions that logic cannot reach”. ... LeWitt 1968). LeWitt’s text comprises a total of 35
Notes on “Revisiting WORKSITE” – CONTEMPORARY ARTISTIC RESEARCH PROJECT 2022 // CHRIS COATHAM
Following my rereading and analysis of the first three WORKSITE Q&A texts, a number of potential research outcomes have occurred to me, which I will attempt to explore further below. ... An appropriate research outcome might be to produce some kind of
The Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967-2017 in Artists in the City: SPACE in ’68 and beyond
Artists in the City: SPACE in 1968 and Beyond. Edited by Anna Harding. ... Building on primary research in CCA/GSA’s Third Eye Centre archive and interviews with key stakeholders, this chapter elaborates the ways in which visual artists based in
Week 7 / Some Projects of Sustainable Craft Education – Rui Shu / Curating (2021-2022)[SEM2]
I will plan to do specific analysis and feedback on my own curatorial projects as I conduct my curatorial project research . ... From jewellery designer/makers to textile and ceramic artists , discover the seven makers taking part in this year’s program.
I Do Not Belong, I Participate : Daily Action Time Archive
DATA was distributed to a mailing list compiled by Hoborin comprising of galleries, artists , critics and magazines. ... For Horobin, a studio was an expensive luxury that few artists could then afford.
Drawn From the City (Master post) – Chengyi Xu / Drawn From the City (2021-2022)[SEM1]
Into The Fray by Andres Barrioquinto, an artist that inspired me visually, source – https://theartling.com/en/artzine/famous-surrealist- artists -asia/. ... as a part of my research in this project because of it’s inaccuracies and fetishization and
Sprint 3 | Beyond the Visual – Reflective Analysis – Chenyan Wang / Themes in Contemporary Art (2022-2023)[SEM1]
The background sound is the artist ’s own story narrated by himself and accompanied by sound effects. ... In both works, the artist lessens the impact of the visual on how the work is presented, whether on purpose or accidentally.
Neoflagellation at PNCA, Portland OR.
Neil is an art historian, curator and artist . His historical research focuses on art practice and theory in the British Isles since the 1970s while his practice incorporates art writing, developing
Exploring Interaction and Nature: Reflections on the MA CAP Pop-Open – Zhouyuan Wu / Curating (2024-2025)[SEM2]
Overall the artists , space, and exhibition time frame should all be re-considered. ... A comment that I also mentioned about your presentation is that I want to start reading and looking at research you have conducted on more emerging contemporary
jodi.org – Isabella Inskip / MA FINE ART 4 STUDIO AND RESEARCH (2020-2021)[YR]
The resulting aesthetic is, in this way, not entirely specified by the artists ’ subjective impulses.