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Found 1000 results from blogs.ed.ac.uk.
Reconsidering My Curatorial Approach: Reflections on Feedback – Zhouyuan Wu / Curating (2024-2025)[SEM2]
16 Mar 2025: One key critique is that all the artists I mentioned are already well-established figures within art history. ... My tutor’s suggestion to research Edinburgh’s Hidden Door Festival and Glasgow’s Stalled Spaces initiative offers valuable direction.
Fire and Brimstone
20 Sep 2004: Norman Shaw’s research on Romantic perceptions of the Highlands has taken him deep within Scotland’s megalithic valleys. ... Nemeton’ – a sacred grove within which druids, artists and scholars would gather to worship and exchange knowledge –
Working with Slime Mold – Leah Wood
03 Feb 2022: https://futurism.com/hydra-slime-mold-covid. Diemut Strebe, an artist who’s worked at MIT since 2010, recently in an MIT residency program, has a lot to say about the ... Posted in Research /Ideas/WIP.
Insights on co-creating a new Development Needs Analysis – Teaching Matters
18 Nov 2024: the supervisory team, extending into peer communities, other departments or services, industries, research groups, as well as lived experience communities. ... Her research and practice centers processes of autonomy-building, community development,
Week 4-3 Curatorial Commitment In 6 Questions – Ningyue Zhang / Curating (2023-2024)[SEM2]
17 Feb 2024: Centre-periphery. Asian diaspora. Artists and curators working independently without governmental/institutional support. ... artist (Martin, 2007, p.39).” The ambition to spark changes through contemporary curating depends not on the sole effort of the
This Must be the Place
02 Mar 2016: They visit art organisations and, crucially, build their own studio spaces. They quickly establish socio-economic networks that serve them well in their careers as artists , critics and curators, generating an ... The allocation of spaces is
𝐙𝐡𝐢𝐪𝐢𝐚𝐧 𝐙𝐡𝐚𝐧𝐠 / 𝐂𝐨𝐧𝐭𝐞𝐦𝐩𝐨𝐫𝐚𝐫𝐲 𝐀𝐫𝐭 & 𝐎𝐩𝐞𝐧 𝐋𝐞𝐚𝐫𝐧𝐢𝐧𝐠 (𝟐𝟎𝟐𝟐-𝟐𝟎𝟐𝟑)[𝐒𝐄𝐌𝟏]
16 Nov 2022: A chat where people can mingle with each other and discuss a variety of topics, including their own research interests, in a more informal way. ... I think it is very important for every artist . Good at collage design.
WEEK4|Curatorial Concept Statement – Jianan Lu / Curating (2023-2024)[SEM2]
15 Feb 2024: Artists ’ perspectives: Consider inviting contemporary artists from China and the UK to participate together to demonstrate how they interpret and make innovative use of blueprints. ... https://www.documenta.de/). Who would you collaborate with to
It’s the metrics, not the Matrix, part 3: Degenerative AI – Teaching Matters
02 Oct 2024: Student grades, attendance, and staff’s citations fuel the academic-industrial complex by fostering connections between businesses ready to absorb the highly-graded students while partnering with high-ranking research initiatives. ... While waiting for
W12-A Curatorial Experiment at Summerhall–Fear as a Method – Hanyun Xue / Curating (2024-2025)[SEM2]
21 Apr 2025: We referenced not only course texts but practices by artists like Marina Abramović (who uses presence as method), and Tramway’s Jarman exhibition (W7), which made private pain public without aestheticizing
