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Found 1000 results from blogs.ed.ac.uk.
Minding the Gap – CONTEMPORARY ARTISTIC RESEARCH PROJECT 2022 // CHRIS COATHAM
there is very little research that addresses the “everyday” challenges of the non-professional, early-career or otherwise “minor” artist working from home, often alongside family, and in improvised or otherwise ... Generate a range of possible
Tianai Zhang / Contemporary Art & Open Learning (2022-2023)[SEM1]
References:. Bernard, H. R. (2017). Research methods in anthropology: Qualitative and quantitative approaches. ... The artist starts with two contrasting colors to give the audience a visual comparison image.
My published Peer Review Comment – Jiyun Zhang / Curating (2024-2025)[SEM2]
Here is my comment:. Your post thoughtfully explores the evolving concept of intimacy in your curatorial research . ... Silent Dialogues” borrows from Marina Abramović’s The Artist Is Present but reframes it within the context of non-verbal
Isabella Inskip / MA FINE ART 4 STUDIO AND RESEARCH (2020-2021)[YR] – Page 8
This new technology allows artists to create new dimensions of art by linking classical with digital art. ... We show the work of artists working in the digital realm and support aesthetic and cultural practice in virtual environments.
Notes on Lawrence Weiner’s “Statements” (1968) – CONTEMPORARY ARTISTIC RESEARCH PROJECT 2022 // CHRIS COATHAM
The Guggenheim Museums and Foundation 2022). A Statement of Intent Weiner wrote in the same year asserted that: “(1) The artist may construct the piece. ... The Guggenheim Museums and Foundation. (2022). Artist : Lawrence Weiner. Guggenheim.org.
Week 7: Curatorial Analysis- Hunterian and Tramway Gallery Exhibition Comparison. – Harry Mayston / Curating (2024-2025)[SEM2]
For both exhibitions, the curators bring light to the histories of the artists . ... Jarman becomes present throughout the exhibition space, as his art constructs the profile of an artist .
October 2022 – Jia Ding / Themes in Contemporary Art (2022-2023)[SEM1]
After reading the article about Film and Video Umbrella, in the artist ’s view, the damaged retina has started to peel away,’ in Blue, ‘leaving the innumerable black floaters, like a ... s2313334 30th October 2022Learn from Pre-fieldtrip research
Leverhulme Visiting Professor: Eric Dyer – April 2022 – Animation Research Network Scotland
He has been a visiting artist at many world-class institutions, honoured as a Fulbright Fellow, Sundance New Frontier Artist , Creative Capital Artist , and Guggenheim Fellow. ... Mar 21, 2022. 2022 Animation Research Network Scotland | ARNS. Built with
Research Methods- WEEK 3 part 2 – Kate Hudson / Contemporary Art + Anthropology (Level 11) (2022-2023)[SEM2]
Continuing research into research methods, I came across this article about the potential for more performative approaches to collecting data. ... 313). Clare Nattress (2021) Airpocalypse, Performance Research , 26:7, 73-79, DOI:
Early Draft of Critical Reflection – CONTEMPORARY ARTISTIC RESEARCH PROJECT 2022 // CHRIS COATHAM
the WORKSITE blog I started during last semester’s Curating course would be an interesting source of research material. ... Outcomes (unfinished; will detail the development and production of my research outcome / artist ’s book).