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Tuesday, 9 February 2021 – Architectural Conservation Masterclasses
houses , residential estates and infrastructures.
Links and Resources – Scottish Centre for Conservation Studies
AHSS). Blairtummock House .
Cultural Heritage Digitisation Service – Page 6
Any views expressed within media held on this service are those of the contributors, should not be taken as approved or endorsed by the University, and do not necessarily reflect the views of the University in respect of any particular issue. It’s
Wigtown Book Festival 2019 – ECA Illustration
In September, we had the opportunity to take our House Style project to Wigtown Book Festival, where illustrations from students and staff were exhibited in a public installation in the main
Investing in child activism – Childhood and Youth Studies
Kay Tisdall is Professor of Childhood Policy and part of Childhood & Youth Studies, Moray House School of Education and Sport, University of Edinburgh.
Analysis and Future Strategies – ISG Playful Engagement
The Argyle House workspaces damaged due to flooding had a significant impact on morale. ... Example: “Having no real fixed ‘home’ in Argyle House appears to make many of the playful engagement things harder to participate in.”.
Yuwei Wu / Lighting Design for Spaces (2024-2025)[SEM2]
Next, we fixed the house model in Edinburgh and […]. s2685947 25 January 2025National Taichung Theater is located in Taiwan, and designed by Japanese architect Toyo Ito.
Project Timeline – Remediating Stevenson:
12 June 2024 – 7 June 2025. A project exhibition at the Pitt Rivers Museum in Oxford (https:// www .prm.ox.ac.uk/event/revisitingstevenson) features the new graphic adaptations produced by ... 28 August 2025. Teachers are invited to the launch of the
Adam Losekoot / Research Methods and Transferable Skills (2022-2023)[SEM1]
ve found myself in KB house for the first time in 3 years (it was either this or put the heating on and I’ll be damned if I let that
Week 3: Curatorial Ethics – Preston Taylor / Curating (2025-2026)[SEM2]
6. As Martinon discusses the widened scope of curating beyond art worlds, aesthetic taste has invariably been democratized through social media and the internet, yet auction houses , galleries, and major institutions
