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The Limits of AI analysis – Ambrose Brown, Data, Inequality and Society (2023-24)

https://blogs.ed.ac.uk/s2599421_knowledge-integration-and-project-planning-data-inequality-and-society-2023-24/2024/04/19/the-limits-of-ai-analysis/

Human analysts bring an intrinsic understanding of complex social, cultural, and emotional layers that LLMs currently cannot match .

Bridging Worlds: The Journey from Interdisciplinary Insights and Ethical Ai to Speculative Fiction Analysis – Ambrose Brown, Data, Inequality and Society (2023-24)

https://blogs.ed.ac.uk/s2599421_knowledge-integration-and-project-planning-data-inequality-and-society-2023-24/2023/12/09/bridging-worlds-the-journey-from-interdisciplinary-insights-and-ethical-ai-to-speculative-fiction-analysis/

For instance, the case study of Public Good Software (PGS) in the blog post exemplifies how data science can be used to match news content with relevant social causes, highlighting the

グループ２：２年生の学園祭ブログ – Japanese Studies Gakuen-sai

https://blogs.ed.ac.uk/japanese_studies_gakuen-sai2022/2022/05/20/%e3%82%b0%e3%83%ab%e3%83%bc%e3%83%97%ef%bc%92%ef%bc%9a%ef%bc%92%e5%b9%b4%e7%94%9f%e3%81%ae%e5%ad%a6%e5%9c%92%e7%a5%ad%e3%83%96%e3%83%ad%e3%82%b0/

Hopefully, we can challenge them to a re- match and someday take their place as Gakuen-sai Just Dance champions!

Lessons learned from warm Climates of the Past: an Ocean view from the Pliocene and an Interview with Alan Liu Geology Student – Working & Learning at the University of Edinburgh – Student Ambassador, Geologist, Red Lichtie

https://blogs.ed.ac.uk/hdeak/2020/03/03/lessons-learned-from-warm-climates-of-the-past-an-ocean-view-from-the-pliocene-and-an-interview-with-alan-liu-geology-student/

How do ocean temperatures respond to elevated atmospheric CO2? The data and the model do not match .

Bertrand Lavier, Musée d’Art Moderne de la Ville de Paris, 31st May – 22nd September 2002; Philippe Parreno, Alien Seasons, Musée d’Art Moderne de la Ville de Paris, 31st May – 15th September 2002.

https://blogs.ed.ac.uk/neil-mulholland-edx/bertrand-lavier-musee-dart-moderne-de-la-ville-de-paris-31st-may-22nd-september-2002-philippe-parreno-alien-seasons-musee-dart-moderne-de-la-ville-de-paris-31st-may-15th/

relationships. Alien Seasons (2002) a video projection of a cuttlefish camouflaging itself by changing colour to match its surroundings can be read as a metaphor for the means of subterfuge by

Bertrand Lavier, Musée d’Art Moderne de la Ville de Paris, 31st May – 22nd September 2002; Philippe Parreno, Alien Seasons, Musée d’Art Moderne de la Ville de Paris, 31st May – 15th September 2002.

https://blogs.ed.ac.uk/neilmulholland/2002/05/18/bertrand-lavier-musee-dart-moderne-de-la-ville-de-paris-31st-may-22nd-september-2002-philippe-parreno-alien-seasons-musee-dart-moderne-de-la-ville-de-paris-31st-may-15th/

relationships. Alien Seasons (2002) a video projection of a cuttlefish camouflaging itself by changing colour to match its surroundings can be read as a metaphor for the means of subterfuge by