Search results
Found 1000 results from blogs.ed.ac.uk.
February 2025 – Shumiao Cheng / Curating (2024-2025)[SEM2]
push notifications, and… Research Background The exhibition 24/7 employs a multi-sensory experience to prompt audiences to reflect on how capitalism erodes our time through technology, work structures, and social ... class and researching the exhibition
Shift Happens
Toggle search field. Shift Happens. Published June 18th Journal of Artistic Research , Issue 3. ... index of values, and thus to invalidate the research -value of their work as a transferable contribution to knowledge.
Week 9 ｜Lecture Reflections: On the Possibility of Publications – Unfinished Bodies
I need to conduct further case studies and research on the feasibility and budget of the project. ... Artist -led publication project. [online] Publication Studio London. Available at: [Accessed 10 Apr.
July 2022: Tahiti/Tuamotus and Hawai‘i – Remediating Stevenson:
Kona Coast. Image 2022 Dan Lin. The project began in earnest with the first research trip to Hawai‘i and Tahiti, as the UK-based investigatory team were hosted in Honolulu ... From student contributions to Simon Grennan’s ‘Make the Past Your
Feedback From Jing-Ting – Kate Hudson / Curating (2022-2023)[SEM2]
For example, what method you used to find artists , what difficulties you encountered in the process, etc. ... I can see that you took time to do research and consider all aspects of your project.
text/image- WEEK 8 – Kate Hudson / Curating (2022-2023)[SEM2]
I have also been looking into Artist Books and the purpose artists have in putting together a book as artwork. ... 1970. 4 In the Context of Reading. Susan Viguers. Journal of Artist Books, Issue 20 (pg.
The team – Chasing Sustainability: Tales from South Asia
Postdoctoral Research Associate (PI) working on nature-based solutions and sustainable materials (biochar) for energy and the environment, with special focus on South Asia. ... School of GeoSciences. The local filmmakers, supported by other artists and
IMAGINED: Reflections from our co-production group – ECRED
Gemma has written about her experience of being part of the co-production group on the IMAGINED project (funded by the Arts & Humanities Research Council). ... It’s been nice being part of a project team, being able to give our thoughts, ideas emotions
Seating Arrangements – Emily Geary / Curating (2024-2025)[SEM2]
It has given you useful insight into the process of exhibition-making and the importance of dialogue between the curator and the artists or the artist ’s estate. ... An important question is: Can a curator expect an artist to make the work for them?
FAST45 #3 Public Lecture Shift/Work: A Paragogics for Open Artistic Learning
FAST45 AIMS & OBJECTIVES. Taking a futures studies approach, the FAST45 project aims to imagine, map and shape a higher arts education landscape where participation, research , and education in the arts play ... Our OER practises a range of open and